August 12, 2022

What is the best movie format to watch Spider-Man: No Way Home?

As blockbuster movies go, it’s safe to say that there’s nothing bigger right now than the Spider-Man movies. After the mixed response to Marvel’s last two films in the series, namely Black Widow and Eternalsthere’s an argument that after years of doing nothing wrong, some MCU fatigue is setting in. With that in mind, the arrival of the third standalone Spider-Man movie in the MCU is exactly what the franchise needs. to resume the excitement.

Of course, the anticipation of Spider-Man: No Coming Home was off the charts, with the trailer officially break the record for most views in 24 hours. The plot involves Spider-Man calling on Doctor Strange to cast a reality-altering spell to make the world forget he is Peter Parker after that fact was revealed to the world at the end of Mysterio’s previous film. And as we all know, when we try this app, cracks inevitably start to form between universes, causing Spider-Man enemies like Electro, Green Goblin, Doctor Octopus (from Sam Raimi and Marc Webb versions) to appear. ) MCU Universe, with the trailer showing Jamie Foxx, William Defoe, and Alfred Molena reprising all of their roles.

However, the hype is real for this one because not only does it feature Tom Holland as the MCU’s Spider-Man, but in what’s pretty much one of the worst kept secrets (like ever) we guess that the multi-verse crossover plot will allow returning Andrew Garfield and Tobey Maguire to reprise their versions of the web-swinging superhero.

It’s all pretty exciting, isn’t it? So, assuming you haven’t booked tickets yet, the question is – which movie format should you choose for Spider-Man: No Way Home, opening December 17, 2021 in the US and two days earlier on December 15, 2021 in the UK.

Well, hang on to your masks because, as befits a blockbuster of this magnitude, there are seven distinct formats to choose from.

The new film is directed by Jon Watts, who returns to the franchise after directing the first of the MCU trilogy in the form of Spider-Man: Homecoming, and is filmed by cinematographer Mauro Fioren, who won an Oscar for CGI-flavored work on 2009’s Avatar. Maybe that’s why No coming home marks a welcome return to the IMAX 3D format, the absence of which I regretted as a regular format a few months ago. Not only is it exciting for 3D fans, but all IMAX fans will love the fact that No coming home will be presented in the IMAX 1.90:1 aspect ratio, which offers 26% more screen real estate than all other formats compared to the standard 2.35:1 aspect ratio. Simply put, you get more image above and below the center area. Of course, IMAX purists will bemoan the lack of a 1.43 full-frame aspect ratio, but that’s good news anyway. The film is still framed in 2.35:1, so you won’t miss anything vital if you don’t see it in IMAX, but IMAX theaters offer bigger screens and bigger sound than standard screening rooms, and the fuller picture delivers a wow factor that’s perfect for a show festival like Spider-Man.

The extended aspect ratio doesn’t mean quality will be compromised – the film was shot using the ARRI Alexa Mini LF camera with Zeiss Supreme Prime Radiance lenses, which brings together the large sensors of the classic ARRI Alexa in a smaller package, which makes it easier to work with, which is probably why the whole movie can be presented in 1.90:1. The digital intermediate has also been completed in 4K, so image quality will be high on larger screens, and the IMAX DMR process will be used to upscale any footage that might not be shot on the ARRI Alexa LF.

While IMAX 3D makes a welcome return, screening will have to be sought, in a reversal of the norm of a few years ago since the vast majority will be in IMAX 2D. With the entire movie in 1.90:1, either of these formats will technically be the best format to view it.

For the ultimate experience, you’ll want to hunt down an IMAX theater with its IMAX GT dual-laser system – which provides the brightness needed to project onto the larger screens, especially important for 3D. Another advantage is that the dual laser screens are matched with 12-channel IMAX sound, which is significantly superior to standard 6-channel IMAX sound. Failing that, a single laser screen will deliver significantly better brightness and color than regular IMAX projectors that use xenon bulbs.

If it’s not possible to reach an IMAX laser, then check to see if there’s a Dolby theater near you. While you lose the larger aspect ratio, you gain in picture and sound quality. Dolby Cinema delivers the best dynamic range, with the strongest colors and highest contrast – it’s truly the best picture quality you’ll find in the cinema. Likewise, the accompanying Dolby Atmos audio is still exceptional, and it’s also worth considering that the Dolby displays have super comfortable seats. At almost two and a half hours of running time, will be appreciated.

Although there isn’t much Dolby Cinema out there, you can always look for a large format screen, known (at least in the UK) as Superscreen, iSense or IMPACT, which combines a larger screen than the average with 4K projection and Atmos – a downgrade Dolby Cinema if you will, but still very high quality.

Next on the list of formats are the other two alternatives – ScreenX – which offers an additional image to the sides of the screen, for a 270° viewing experience – expanding your field of view horizontally rather than vertically. How much film will be offered with this extra field of view is unknown and in my experience it really is a gimmick that doesn’t add much to the experience.

More satisfying will be 4DX 3D. This provides a theme park ride element to the cinematic experience with moving seats, a pounding chair back for impacts, air and water blasts, and flashing lights that the film claims enhance or detract from the experience. I loved Ant-Man and Jumanji, but with Rogue One: A Star Wars Story I found it distracting, and for Fast and Furious 9 it didn’t make up for a bad movie. I guess for web-swinging action, No coming home should be a good fit for 4DX. Not all 4DX movies are 3D, but if you’re a 3D fan, it’s great that there’s another way to see it.

Alternatively, No Way Home will also be shown in 3D in standard cinemas. However, in conventional displays, projectors don’t have the brightness to do 3D justice, so in my opinion, I wouldn’t recommend it.

There remains the final format – the good old standard 2D. Which is good, but people were talking about Spider-Man! With all of these other formats available, surely you should make the effort to view in as high a quality format as possible?

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